Mannerism

c. 1520–1600

Mannerism emphasized elegance, artifice, and exaggeration. Figures appear elongated and compositions unstable. Artists deliberately departed from classical harmony. The style reflects uncertainty and intellectual complexity.

Laocoon

El Greco

1610–1614

A dramatic reinterpretation of the ancient Laocoön myth, painted with El Greco’s expressive style.

The Burial of the Count of Orgaz

El Greco

1586–1588

A monumental painting combining heaven and earth, blending realism with visionary style.

An Allegory of Cupid with Venus

Agnolo Bronzino

c. 1545

A Mannerist painting full of complex symbolism, showing Venus and Cupid in an enigmatic embrace.

Madonna of the Long Neck

Parmigianino

1534–1540

A Mannerist painting of the Virgin and Child with exaggerated proportions and elegance.

Palazzo Massimo alle Colonne

Baldassare Peruzzi

Begun 1532

A Renaissance palace in Rome with a distinctive curved façade following the street’s line.

Palazzo del Te

Giulio Romano

1524–1534

A palace in Mantua decorated with illusionistic frescoes, blending classical themes with playful distortion.

Laurentian Library Vestibule

Michelangelo

1524–1559

An innovative vestibule with dynamic stair design, showing Michelangelo’s architectural boldness.

The Deposition from the Cross

Pontormo

1525–1528

A swirling Mannerist altarpiece showing Christ’s body being lowered with emotional intensity.