European Figurative Painting

c. 1945–present

This movement preserves the human figure within modern art. Artists often use expressive or distorted forms. Figurative painting becomes a vehicle for emotion, identity, and memory. It stands in contrast to pure abstraction.

Head of J. Y. M.

Frank Auerbach

1973

Thickly impastoed portrait reflecting Postwar British Expressionism.

Three Studies for a Crucifixion

Francis Bacon

1962

Triptych depicting distorted figures, exemplifying Bacon’s raw existential imagery.

Portrait of Diego Seated

Alberto Giacometti

1957

Linear figurative painting echoing the existential fragility of his sculpture.

Girl with a White Dog

Lucian Freud

1950–1951

Psychological portrait emphasizing realism, texture, and flesh.